• Significant Geometries, Alexey von Schlippe Gallery, University of Connecticut, CT

    Significant Geometries, Alexey von Schlippe Gallery, University of Connecticut, CT

    Significant Geometries is an exhibition of artworks that utilize geometric shape as a vehicle to convey meaning in sculpture, painting, collage, and photography. The exhibiting artists are Helena Chastel, Paul D’Agostino, Will Holub, Seth David Rubin, Conny Goelz Schmitt, and Ellen Weider.

    Conny Goelz Schmitt alludes to storytelling and knowledge in her ingenious sculptures created from vintage book parts. Ellen Weider’s paintings, distinctive in their mysterious arrangements of shape and color, suggest rarefied worlds and invite interpretation. Photographic works by Seth David Rubin transform landscape and explore points of view through arrangements of shaped reflections. Paul D’Agostino’s “Chromatic Alphabet” paintings consider language, text, narrative, and translation through precise arrangements of color and shape. Layered mixed media collages by Will Holub combine figural and abstract elements to discover interconnectedness amidst fragmentation and diversity. Sculptures by Helena Chastel are weighty or whimsical investigations of sacred geometry.

    September 12 - October 13, 2024
    Website

  • Show at Yellow Studio NY, May 2023

    Intersection of Color featuring work by Conny Goelz Schmitt and Domenica Brockman

    April 22 - June 3, 2023

  • Residency at Pouch Cove, May 2023

    Artist residency
    May 1 - 31, 2023

    Playing on the Wide Shore group show at James Baird Gallery

    Labrador, New Foundland, Canada, June 2023

  • Intersect Palm Springs Art and Design Fair

    Intersect Palm Springs Art and Design Fair

    Featuring work by Maeve D'Arcy, Conny Goelz-Schmitt, Susan English, Joanne Freeman, and Erin O'Brien

    February 9 - 12, 2023

    intersectpalmsprings.com

  • Solo Show 2022 at Hidell Brooks Gallery

  • Mass Cultural Council Fellowship 2022

    Mass Cultural Council Grant
    massculturalcouncil.org/

  • Hidell brooks blog: Charlotte Home Design & Decor, Feb/Mar 2022

    Hidell brooks blog: Charlotte Home Design & Decor, Feb/Mar 2022
  • New Visionary Magazine, January 2022

    New Visionary Magazine, January 2022
  • The American Scholar Interview. August 23, 2021

  • Vermont Studio Center Fellowship 2020

    Fellowship winner 2020
    vermontstudiocenter.org/

  • Boston Globe Interview. Saturday, March 7th, 2020

  • Dear So-and-So, WBUR News, the Artery

    Dear So-and-So, WBUR News, the Artery
  • PRISMATIC REDUX, GIN STONE AND CONNY GOELZ SCHMITT

    PRISMATIC REDUX,  GIN STONE AND CONNY GOELZ SCHMITT

    Maud Morgan Arts, Chandler Gallery
    June 24 to July 19
    Reception: Thursday, June 27, 6 to 8 pm
    Artist Talk: Thursday, July 11, 6 to 7 pm
    Gallery Hours: Weekdays 10:00 am to 5:30 pm
    Preview on MaudMorganArts.org

  • NEVERENDING STORIES

    Solo Exhibit in the Kingston Gallery Project Space
    June 5 to June 30, 2019
    Opening Reception on June 7th from 5 to 8pm
    www.kingstongallery.com/exhibitions/201…

  • NATIONAL PRIZE SHOW 2019

    Juried show
    May 14 to June 22nd, 2019
    www.cambridgeart.org/2019-national-priz…

  • SMALL SCULPTURES: BIG IMPACT STROHL ART CENTER / CHAUTAUQUA INSTITUTION



    Group Exhibit
    June 23 – July 16, 2019
    Public Reception: Sunday June 23rd 3-5pm

    chq.org/season/arts-entertainment/visua…

  • YJContemporary Fine Art Gallery: Art & Design: A Conversation

    YJContemporary Fine Art Gallery: Art & Design: A Conversation
  • Coastal Contemporary: Projective Planes with Topher Gent

    Coastal Contemporary: Projective Planes with Topher Gent

    Conny Goelz Schmitt has work in Projective Planes at Coastal Contemporary Gallery in 491 Thames Street, Newport, RI 02840. The exhibition runs from October 11 to November 5, 2018 with an opening reception on October 19th from 5 to 8pm.

  • Boston Voyager Interview

    Boston Voyager Interview
  • My work OVERSIGHT got a juror's choice award at the National Prize Show at CAA. Jurors: Michelle Grabner, School of Visual Art Chicago, Jessica Hong, ICA Boston and Jamillah James, ICA Los Angeles

    My work OVERSIGHT got a juror's choice award at the National Prize Show at CAA. Jurors: Michelle Grabner, School of Visual Art Chicago, Jessica Hong, ICA Boston and Jamillah James, ICA Los Angeles
  • Found my book shrine on the website of Marin MoCa!

    Found my book shrine on the website of Marin MoCa!
  • APRIL 12-19, 2018 DigBoston, Franklin Einspruch, p18

    APRIL 12-19, 2018 DigBoston, Franklin Einspruch, p18
  • Marine Museum of Contemporary Art

    Marine Museum of Contemporary Art
  • Interview with Ronnie Li: More Questions than Answers

  • Delicious Line Review by Franklin Einspruch

  • More Questions than Answers

    More Questions than Answers

    My solo at Kingston Gallery in Boston is coming up very soon!

  • Keith Powers: Art that explores time

    Keith Powers: Art that explores time

    By Keith Powers / Correspondent

    June 08. 2016 5:40PM

    Art that explores time

    We measure time in so many ways. One meaningful way is through objects: An heirloom evokes ancestors. A stack of letters recalls a friendship. An unused toy-box brings back a childhood.

    Three artists exhibiting now in the Cultural Center at Rocky Neck take the hoarded past and revitalize it. “Time Matters: Three Explorations,” on view now through July 4, shows the wildly divergent approaches that Conny Goelz-Schmitt, Michele Fandel Bonner and Kathleen Gerdon Archer use to remember and transform.
    Fabric creations by Michele Fandel Bonner, structures created from books by Conny Goelz-Schmitt and large polypropylene prints mounted under Plexiglas by Kathleen Gerdon Archer make the ‘Time Matters’ exhibit at the Cultural Center at Rocky Neck in Gloucester. COURTESY PHOTO
    Fabric creations by Michele Fandel Bonner, structures created from books by Conny Goelz-Schmitt and large polypropylene prints mounted under Plexiglas by Kathleen Gerdon Archer make the ‘Time Matters’ exhibit at the Cultural Center at Rocky Neck in Gloucester. COURTESY PHOTO
    If you go...

    WHAT: Time Matters: Three Explorations

    WHERE: Cultural Center at Rocky Neck, 6 Wonson St., Gloucester

    WHEN: through July 4

    ADMISSION: Free. Visit www.rockyneckartcolony.org or call 978-515-7004



    We measure time in so many ways. One meaningful way is through objects: An heirloom evokes ancestors. A stack of letters recalls a friendship. An unused toy-box brings back a childhood.

    Three artists exhibiting now in the Cultural Center at Rocky Neck take the hoarded past and revitalize it. “Time Matters: Three Explorations,” on view now through July 4, shows the wildly divergent approaches that Conny Goelz-Schmitt, Michele Fandel Bonner and Kathleen Gerdon Archer use to remember and transform.

    Archer shows about a dozen large, abstract photos, color close-ups in high-gloss. Polypropylene prints mounted under plexiglas, at first glance they show the remarkable details of some abstract frozen object. Turns out they are family relics, placed in the freezer and then photographed at close range until something interesting reveals itself to the artist. The photographs are strikingly alluring, bringing in the viewer with mystical energy.

    Schmitt re-invents books. Spines torn, covers obscured, her remaindered literature becomes an anonymous architecture of unexplained ideas. The books, used simply for their texture and shape, become the medium. Some are disassembled into collage. Some are stacked and glued into totems, or arranged into assemblages. They no longer tell stories with words, but through soft colors and manipulated formations.

    In Schmitt’s work, it’s interesting to find that the medium itself carries meaning. You could never claim that acrylic, or bronze, or oil or clay has meaning to itself — but of course they all become tools for art. But using old books as sculptural entities forces them into a muffled discourse — the materials take the artist’s intended shape, but also speak on their own as discarded signifiers.

    Bonner’s compulsions become humorous. She collects: gloves, T-shirts, buttons, cherry pits, clothing labels, her own hair, even outdoor faucets. Her structures — what else to call a hanging garden of gloves, or globes made of faucets, buttons, or cherry pits? — take on the beauty of deliberate formation, but also carry the offbeat sensibility that comes with obsessions.

    Bonner’s work has humor, but it is no joke. She is a fabric artist of great depth, and her use of found, recycled materials adds a second layer of understanding to the technical care that goes into this work.

    Seeing an “animal hide” made of thousands of clothing labels not only brings a smile to your face, it makes you want to live that way — wasting nothing, thinking deeply, transforming the ordinary and overlooked into the magical.

    “Time Matters” runs through July 4 at the Cultural Center at Rocky Neck, 6 Wonson St., Gloucester. For more information visit www.rockyneckartcolony.org or call 978-515-7004.



    Keith Powers covers music and the arts for GateHouse Media and WBUR’s ARTery. Follow @PowersKeith; email to keithmichaelpowers@gmail.com

  • Solo Show@ Wheelock College

    Conny Goelz-Schmitt has her show "Out of Print" at the Towne Art Gallery at Wheelock College , 200 The Riverway, Boston, MA 0221. The exhibition runs from September 12 to October 17 2015 with a gallery talk on October 1st rom 3 to 4pm.

  • Cate McQuaid

    CONNY GOELZ-SCHMITT:UNCOVERED Books may be going the way of most printed matter, but they have powerful cultural resonance. Goelz-Schmitt reconstructs found volumes into assemblages. Using pages and exposed bindings as compositional elements, she highlights the materiality and wear or her sources. Through April 26. Kingston Gallery, 450 Harrison Ave. 617-423-4113, www.kingstongallery.com

    CATE McQUAID

  • Review for "Time Travelers" at CAA


    "Working with old book covers, Conny Goelz-Schmitt builds captivating sculptures such as “Omnipotent Pink Antenna,” an abstract collage, all jutting angles, folds, and collisions, in materials that are fading, handled, and well-loved."

    - Cate McQuaid, The Boston Globe, October 14th, 2014